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    <title>advertise/invest</title>
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    <id>tag:www.ybny.com,2010-02-13:/ybny/advertise//15</id>
    <updated>2010-02-25T22:43:55Z</updated>
    
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type 5.01</generator>

<entry>
    <title>Lowe and Lazar&apos;s Eclipses - art</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/art/2010/02/lowe-and-lazars-eclipses.html" />
    <id>tag:www.ybny.com,2010:/ybny/art//7.29</id>

    <published>2010-02-25T22:21:45Z</published>
    <updated>2010-02-25T22:43:55Z</updated>

    <summary>Join YBNY Friday from 6 to 8 p.m. in attending By and By&apos;s opening for Robert A.A. Lowe (Lichens) and Rose Lazar&apos;s limited edition &quot;Eclipses&quot; LP from Thrill Jockey Records....</summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="art" label="art" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="music" label="music" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.ybny.com/ybny/art/">
        <![CDATA[<span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Times; font-size: medium; "><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; height: 90%; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: rgb(255, 255, 255); color: rgb(51, 51, 51); font: normal normal normal 13px/normal arial, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; background-position: initial initial; ">Join YBNY Friday from 6 to 8 p.m. in attending By and By's opening for Robert A.A. Lowe (Lichens) and Rose Lazar's limited edition "Eclipses" LP from Thrill Jockey Records.</div><br /></span>]]>
        <![CDATA[<span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Times; font-size: medium; "><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; height: 90%; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: rgb(255, 255, 255); color: rgb(51, 51, 51); font: normal normal normal 13px/normal arial, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; background-position: initial initial; "><i>YBNY is covering the opening for Robert A.A. Lowe (Lichens) and Rose Lazar's limited edition LP from <a href="http://thrilljockey.com/catalog/?id=104539">Thrill Jockey Records</a>, Friday from 6 to 8 p.m. at <a href="http://www.byandbybrooklyn.com/">By and By</a>, 552 Grand St. in Williamsburg, Brooklyn.</i></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; height: 90%; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: rgb(255, 255, 255); color: rgb(51, 51, 51); font: normal normal normal 13px/normal arial, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; background-position: initial initial; ">The record features Lowe's intense and melodic layered synth tones, and is accompanied by a 12 by 36-inch double sided color poster featuring artwork by both Lowe and his wife, Lazar, which, according to Thrill Jockey, serves to "voice the images, which end up as a sort of storyboard for the music."</div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; height: 90%; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: rgb(255, 255, 255); color: rgb(51, 51, 51); font: normal normal normal 13px/normal arial, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; background-position: initial initial; "><i>Story to follow.</i></div></span>]]>
    </content>
</entry>

<entry>
    <title>The Young Ones - fashion</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/fashion/2010/02/the-young-ones.html" />
    <id>tag:www.ybny.com,2010:/ybny/fashion//6.28</id>

    <published>2010-02-25T07:37:25Z</published>
    <updated>2010-02-25T18:27:25Z</updated>

    <summary><![CDATA[Stephanie Castro chronicles cutting-edge collections by next-generation designers Charlotte Ronson and Nary Manivong.&nbsp;...]]></summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="fashion" label="Fashion" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newyorkfashionweek" label="New York Fashion Week" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.ybny.com/ybny/fashion/">
        <![CDATA[<i>Stephanie Castro chronicles cutting-edge collections by next-generation designers Charlotte Ronson and Nary Manivong.&nbsp;</i>]]>
        <![CDATA[<b>By Stephanie Castro</b><div><b>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Charlotte Ronson's show is more of a cultural event than a typical runway show at Bryant Park. It's always an eclectic mix of rocking music, a spattering of the designer's celebrity friends and of course, it's a family affair. Younger sister Annabelle struts her stuff on the catwalk, twin-sister Samantha runs the music, and brother Mark and socialite-mother Ann Dexter-Jones are always front row. It's obvious the Ronson clan is a creative one, and Charlotte's clothes this season showed her flair and talent for producing consistently entertaining fashion.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Ronson's collection was jet-set meets boho chic with a splash of Middle Eastern appeal. Models wore pink, pretty lips and long-polished wavy hair under turbans paired with sheer floral prints, motorcycle jackets, wool wide-legged trousers, and silk harem pants. Combined with tailored pieces like belted jackets, the collection also featured splashes of bright turquoise, orange and pink that contrasted with the mostly-muted palette.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">The collection showed the downtown-cool attitude that Ronson's clothing is best known for, but also demonstrated the designer's evolving sense of maturity and style. It was fit for New York's it-girl who is always on the go, like Ronson herself.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">We're looking forward to seeing where she'll take us to next season.</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><b>From Rags to Rag Trade</b></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><b><br /></b></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><b></b></p><b><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">It is designers like Laotian-American Nary Manivong, subject of the documentary "Dressed" which showed at the Tribeca Film Festival last year, that really make New York Fashion Week something special. The self-taught designer found himself homeless at the age of 14. Perseverance helped him overcome a a broken childhood&nbsp; and financial struggles to start a company that helped produce his second collection, entitled "Silk and Nails," which showed this season.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Models with bold black lips and netting over their eyes stood on a rotating round platform at the Audi Forum after his show had been moved due to the weather the previous week. Styled by fashion legacy Ally Hilfiger, the collection of mostly dresses in a black and white abstract brushstroke print with a splash of plum, tan, and leather-esque pieces with lace was edgy and beautiful.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Young and talented at 28, we will be seeing more of Nary's cutting-edge collections for seasons to come.&nbsp;</p></b><p></p></b></div>

<div class="zemanta-pixie" style="margin-top:10px;height:15px"><a class="zemanta-pixie-a" href="http://reblog.zemanta.com/zemified/7e6bf39e-250e-48f2-b1bc-700cd245342e/" title="Reblog this post [with Zemanta]"><img class="zemanta-pixie-img" src="http://img.zemanta.com/reblog_e.png?x-id=7e6bf39e-250e-48f2-b1bc-700cd245342e" alt="Reblog this post [with Zemanta]" style="border:none;float:right" /></a><span class="zem-script more-related pretty-attribution"><script type="text/javascript" src="http://static.zemanta.com/readside/loader.js" defer="defer"></script></span></div>]]>
    </content>
</entry>

<entry>
    <title>NYFW Says Goodbye, to Bryant Park and McQueen - features</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/features/2010/02/nyfw-says-its-goodbyes-to-bryant-park-and-mcqueen.html#000027" />
    <id>tag:www.ybny.com,2010:/ybny/features//3.27</id>

    <published>2010-02-24T19:02:32Z</published>
    <updated>2010-02-25T07:59:00Z</updated>

    <summary>YBNY Fashion Editor Stephanie Castro shares her post Fashion Week musings, with a look ahead to Lincoln Center....</summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="features" label="features" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newyorkfashionweek" label="New York Fashion Week" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.ybny.com/ybny/features/">
        YBNY Fashion Editor Stephanie Castro shares her post Fashion Week musings, with a look ahead to Lincoln Center.
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><b>By Stephanie Castro</b></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><a class="zem_slink" href="http://www.mbfashionweek.com/newyork/" title="New York Fashion Week" rel="homepage">New York Fashion Week</a> opened Feb. 11 as Manhattan was dressed in a blanket of white flurry and several inches of snow. A snowstorm had gripped the city and the fashion community unexpectedly had lost one of its greatest talents, <a href="http://www.alexandermcqueen.com/">Alexander McQueen</a>. Some presentations were canceled because garments were stuck in airports around the world. It was an unwelcome start to the fall collections for 2010.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">But as the snow melted and McQueen's storefront in the Meatpacking District became a memorial for his undisputed talent, the shows went on- albeit fashionably late.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">New York Fashion Week makes New York beautiful in so many ways. It is a showcase of the hard work designers put in months after months. It is a parade of style on the streets, an embodiment of creativity, trends, and panache. Twice a year, &nbsp;the fashion community gathers at locations&nbsp;city-wide&nbsp;for presentations and runway shows, but no site is more famous than the background Bryant Park has created for fashion.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">After 17 years of the white tents being erected in Bryant Park, New York Fashion Week will take its stilettos and spirit to Lincoln Center this fall. Bidding farewell to Midtown, "It's onward and upward to Lincoln Center," Tommy Hilfiger said, after his bow, which closed out the week, and tents forever, on Wednesday night. This year's tent exterior design offered nostalgic quotes from designers, models, and press who had seen the park become synonymous with fashion since it's first season in 1993. More than 2,000 shows graced the catwalks and countless luminaries dashed up the front stairs of the fashion hub.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Bryant Park was Fashion Week's home for so long, but like most New Yorkers- it had outgrown its space. With more than 200,000 attendees each year including the fall season, and 70 runway shows and presentations per season, the decision to find a new destination had to happen. Lincoln Center will give the event 25 percent more space for more than three runways - Bryant Park's current catwalk allotment - as well as one of the largest underground parking facilities the city has to offer.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Lincoln Center is iconic; a cultural center and mecca that will now encompass all facets of art including fashion. As many critics have pointed out, it also will give designers the well-deserved credibility of artists.</p>

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    </content>
</entry>

<entry>
    <title>Dilla is Forever - video</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/video/2010/02/dilla-is-forever.html#000026" />
    <id>tag:www.ybny.com,2010:/ybny/video//18.26</id>

    <published>2010-02-24T17:44:09Z</published>
    <updated>2010-02-25T18:45:02Z</updated>

    <summary><![CDATA[Visit the film's website,&nbsp;http://www.raiseitupformadukes.com, to show your support....]]></summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="video" label="video" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.ybny.com/ybny/video/">
        <![CDATA[Visit the film's website,&nbsp;<span class="Apple-style-span" style="color: rgb(0, 0, 0); font-size: medium; "><a href="x-msg://205/%20http://www.raiseitupformadukes.com/"><font class="Apple-style-span" style="font-size: 0.8em; ">http://www.raiseitupformadukes.com</font></a><font class="Apple-style-span" style="font-size: 0.8em; ">, to show your support.</font></span>]]>
        
    </content>
</entry>

<entry>
    <title>The Lancaster Cycle - photo</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/photo/2010/02/the-lancaster-cycle.html" />
    <id>tag:www.ybny.com,2010:/ybny/photo//12.25</id>

    <published>2010-02-24T01:59:23Z</published>
    <updated>2010-02-25T02:52:42Z</updated>

    <summary>Photographer John Lancaster&apos;s shots from Lorick and Tony Cohen....</summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="fashion" label="fashion" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="photo" label="photo" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.ybny.com/ybny/photo/">
        Photographer John Lancaster&apos;s shots from Lorick and Tony Cohen.
        
    </content>
</entry>

<entry>
    <title>Doing Their (P)art: Art For Haiti NYC - features</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/features/2010/02/doing-their-part-art-for-haiti-nyc.html#000024" />
    <id>tag:www.ybny.com,2010:/ybny/features//3.24</id>

    <published>2010-02-23T07:50:04Z</published>
    <updated>2010-02-24T18:48:23Z</updated>

    <summary><![CDATA[With a benefit event that proceeded through the heaviest snowfall of the winter, Art For Haiti NYC raised near $40,000 - through an art auction and donations - for Doctors Without Borders, a medical humanitarian organization providing tireless aid to the millions of people displaced by last month's devastating earthquake outside of Port-au-Prince.&nbsp;...]]></summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="art" label="Art" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="doctorswithoutborders" label="Doctors Without Borders" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="features" label="features" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="haiti" label="Haiti" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="médecinssansfrontières" label="Médecins Sans Frontières" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.ybny.com/ybny/features/">
        <![CDATA[<p>With a benefit event that proceeded through the heaviest snowfall of the winter, <a href="http://www.artforhaitinyc.com/">Art For Haiti NYC</a> raised near $40,000 - through an art auction and donations - for <a href="http://www.doctorswithoutborders.org/">Doctors Without Borders</a>, a medical humanitarian organization providing tireless aid to the millions of people displaced by last month's devastating earthquake outside of Port-au-Prince.&nbsp;</p>

<div class="zemanta-pixie" style="margin-top: 10px; height: 15px;"><a class="zemanta-pixie-a" href="http://reblog.zemanta.com/zemified/7a6ed6ba-5f16-4d1c-aacb-2329d169a43c/" title="Reblog this post [with Zemanta]"><img class="zemanta-pixie-img" src="http://img.zemanta.com/reblog_e.png?x-id=7a6ed6ba-5f16-4d1c-aacb-2329d169a43c" alt="Reblog this post [with Zemanta]" style="border: medium none ; float: right;" /></a><span class="zem-script more-related pretty-attribution"><script type="text/javascript" src="http://static.zemanta.com/readside/loader.js" defer="defer"></script></span></div>]]>
        <![CDATA[<p><b><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 1.25em; ">W</font></font></font></b>ith a benefit event that proceeded through the heaviest snowfall of the winter, <a href="http://www.artforhaitinyc.com/"><span class="Apple-style-span" style="text-decoration: underline;">Art For Haiti NYC</span></a> raised near $40,000 - through an art auction and donations - for&nbsp;<a href="http://www.doctorswithoutborders.org/" style="text-decoration: underline; ">Doctors Without Borders</a>, a medical humanitarian organization providing tireless aid to the millions of people displaced by last month's devastating earthquake outside of Port-au-Prince.</p><div><br /></div><div>Dozens braved the storm on Feb. 10 to attend the function, hosted at the Starrett-Lehigh Building&nbsp;on West 26th St. in Chelsea.</div><div><br /></div><div>Auctioned items included a Louise Bourgeois silkscreen, which fetched the highest sum of the auction at $2,650,<span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; font-size: medium; "><span class="Apple-style-span" style="font-family: arial, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; color: rgb(51, 51, 51); font-size: 13px; ">&nbsp;and an Andy Warhol print. The auction also featured works by Zefrey Throwell, Paul Villinski, Kate Gilmore and Hank Willis Thomas.&nbsp;</span></span></div><div><br /></div><div>Doctors Without Borders has put donations like these to work in Haiti, building "makeshift clinics to triage patients on the grounds of destroyed hospital structures," according to the organization's website.&nbsp;</div><div><br /></div><div>The UN World Food Programme has partnered with groups like Doctors Without Borders to build 102 such outpatient care centers, along with 18 mobile units, the UN Office for the Coordination of Humanitarian Affairs (OCHA) states.</div><div><br /></div><div>But according to a <a href="http://www.reliefweb.int/rw/rwb.nsf/db900sid/MYAI-82X8LA/$File/full_report.pdf"><span class="Apple-style-span" style="text-decoration: underline;">situation report</a>&nbsp;released by OCHA this week, only 30 percent of 1.2 million people in need of shelter have received emergency shelter materials. Shelter is a priority, now more than ever, because of Haiti's upcoming rainy season.</div><div><br /></div><div><i>Click </i><a href="http://www.doctorswithoutborders.org/donate/"><span class="Apple-style-span" style="text-decoration: underline;"><i>here</i></a><i>&nbsp;to donate.</i></div><div><br /></div><div><font class="Apple-style-span" color="#000000" size="4"><span class="Apple-style-span" style="font-size: 14px;"><font class="Apple-style-span" color="#333333" size="3"><span class="Apple-style-span" style="font-size: 13px;"><br /></span></font></span></font></div><p></p>

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    </content>
</entry>

<entry>
    <title> - contact</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/contact/" />
    <id>tag:www.ybny.com,2010:/ybny/contact//8.23</id>

    <published>2010-02-22T05:32:14Z</published>
    <updated>2010-02-22T05:33:14Z</updated>

    <summary>Editorial: editor@ybny.comSales/Advertising: sales@ybny.comFashion: fashion@ybny.comBooks: associate.editor@ybny.com...</summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.ybny.com/ybny/contact/">
        <![CDATA[<b>Editorial</b>: <a href="mailto:editor@ybny.com">editor@ybny.com</a><br /><b>Sales/Advertising</b>: <a href="mailto:sales@ybny.com">sales@ybny.com</a><br /><b>Fashion</b>: <a href="mailto:fashion@ybny.com">fashion@ybny.com</a><br /><b>Books</b>: <a href="mailto:associate.editor@ybny.com">associate.editor@ybny.com</a><br />]]>
        
    </content>
</entry>

<entry>
    <title>Bacon Inspired - video</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/video/2010/02/fashion-week.html#000022" />
    <id>tag:www.ybny.com,2010:/ybny/video//18.22</id>

    <published>2010-02-21T19:08:55Z</published>
    <updated>2010-02-24T18:16:28Z</updated>

    <summary></summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="video" label="video" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.ybny.com/ybny/video/">
        <![CDATA[<br />]]>
        
    </content>
</entry>

<entry>
    <title>Burton at MOMA: A plug for Alice? - art</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/art/2010/02/burton-at-moma-a-plug-for-alice.html" />
    <id>tag:www.ybny.com,2010:/ybny/art//7.21</id>

    <published>2010-02-21T09:00:42Z</published>
    <updated>2010-02-22T05:24:16Z</updated>

    <summary><![CDATA[Reviewer Elizabeth Greenwood: Tim Burton's MOMA debut auspiciously coincides with the release of his new interpretation of&nbsp;Alice in Wonderland, slated for release March 5th....]]></summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="art" label="Art" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="moma" label="MOMA" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="museumofmodernart" label="Museum of Modern Art" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="timburton" label="Tim Burton" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.ybny.com/ybny/art/">
        <![CDATA[<span class="Apple-style-span" style="font-family: Helvetica, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; font-size: 12px; ">Reviewer Elizabeth Greenwood: Tim Burton's MOMA debut auspiciously coincides with the release of his new interpretation of&nbsp;<i>Alice in Wonderland</i>, slated for release March 5th.</span>

<div class="zemanta-pixie" style="margin-top:10px;height:15px"><a class="zemanta-pixie-a" href="http://reblog.zemanta.com/zemified/4543654e-e60f-4c6a-8165-fcceed207f48/" title="Reblog this post [with Zemanta]"><img class="zemanta-pixie-img" src="http://img.zemanta.com/reblog_e.png?x-id=4543654e-e60f-4c6a-8165-fcceed207f48" alt="Reblog this post [with Zemanta]" style="border:none;float:right" /></a><span class="zem-script more-related pretty-attribution"><script type="text/javascript" src="http://static.zemanta.com/readside/loader.js" defer="defer"></script></span></div>]]>
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><b>By Elizabeth Greenwood</b></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Tim Burton's Museum of Modern Art debut auspiciously coincides with the release of his new directorial interpretation of <i>Alice in Wonderland</i>, slated for release by Walt Disney Pictures on March 5. While MOMA's undertaking covers a lifetime of Burton's drawings, paintings, photographs and moving images--even puppets and costumes--its timing raises once again questions about the intersection between museum exhibitions and commercial interests.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px">&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">This is hardly a new phenomenon, as artists and museums have historically relied on patronage from benefactors in the past and from corporate underwriters today. But sponsorship by the featured artists themselves seems to be a growing trend in New York City museums. Last year's "Model as Muse" exhibit by the Metropolitan Museum's Costume Institute was sponsored by fashion designer Marc Jacobs, whose confections filled most of the final gallery. Burton's MOMA show, while deeply engaging and disturbing, could be seen as a kind of culturally sanctioned preview of the animated/live action Disney film. Officially, though, the MOMA show is sponsored by SyFy, a division of NBC Universal.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Innovative marketing techniques notwithstanding, the filmmaker is the object of cult adoration. Tim Burton's fantasy films conjure figures such as Edward Scissorhands' exaggerated shadow and Jack Skellington's spindly silhouette against a full moon. These menacing figures will skulk and slink (and their fans obstruct, as the show often sells out) on the walls and screens of the show at MOMA until April 26. The exaggerated grin and bulbous nose of Batman's nemesis, the Joker, apparently went through multiple mutations. Work by animators Carlos Grangel and Joe Ranft reveals the collaborative process of Burton's evil genius.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">"Cinematic ephemera" from <i>Batman, Sleepy Hollow, Mars Attacks, </i>and <i>Beetlejuice</i> dangle from the ceiling, creating a morbid effect. There are puppets and props that appear to have been lifted from the bowels of an S&amp;M dungeon, and potato-headed stop-motion animation figurines from <i>Corpse Bride </i>and <i>The Nightmare Before Christmas</i>. Burton basically invented the smart, subversive device of making that which appears to be for children--think Pee-Wee Herman, Catwoman--categorically for adults. This realization swept across the face of one mother at the exhibit when her toddler inquired about the purpose of all the straps and buckles on the Penguin's baby carriage. Bondage straps, that is. It's pretty terrifying stuff, but always with a wink and a smile.<br />
</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Tim Burton's art is not resplendent. It's more Goya than van Gogh, more along the lines of Bosch's fetid, hedonistic scenes and Alfred Kubin's nightmare monsters. The Corpse Boy photos show a bloated, blue baby, alongside ribbons of sutures spiraling around disembodied limbs. His monster illustrations painstakingly detail every scale and horn, with technique that looks almost pointillist. This show should be filed under the category "If You're Into That Sort of Thing." And from the overwhelming response, it seems that many are doing that.<br />
</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Perhaps direct sponsorship is just a new reality in museum going, a way for institutions to survive in a climate of diminishing donations. Like all decisions about art, from what it is to who is celebrated, the process is never democratic but highly deliberative. Maybe a filmmaker receiving his due from a major museum is a step forward in redefining the limits of what institutions declare and disseminate as art. We'll have to wait and see if "cinematic ephemera" from <i>Alice in Wonderland</i> makes it into the next show.&nbsp;</p><div><br /></div><p></p>

<div class="zemanta-pixie" style="margin-top:10px;height:15px"><a class="zemanta-pixie-a" href="http://reblog.zemanta.com/zemified/54eca214-752f-41ed-a7a4-f26e75295e68/" title="Reblog this post [with Zemanta]"><img class="zemanta-pixie-img" src="http://img.zemanta.com/reblog_e.png?x-id=54eca214-752f-41ed-a7a4-f26e75295e68" alt="Reblog this post [with Zemanta]" style="border:none;float:right" /></a><span class="zem-script more-related pretty-attribution"><script type="text/javascript" src="http://static.zemanta.com/readside/loader.js" defer="defer"></script></span></div>]]>
    </content>
</entry>

<entry>
    <title>The Uncommon Response: Patti Smith&apos;s Just Kids - books</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/books/2010/02/the-uncommon-response-just-kids.html#000020" />
    <id>tag:www.ybny.com,2010:/ybny/books//13.20</id>

    <published>2010-02-21T08:27:45Z</published>
    <updated>2010-02-22T05:38:45Z</updated>

    <summary><![CDATA[We want you to read.&nbsp;&nbsp;We're not going to tell you what happens. We're having a conversation about the book's greater implications and why they might matter to you, too....]]></summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="books" label="books" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pattismith" label="Patti Smith" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.ybny.com/ybny/books/">
        <![CDATA[<span class="Apple-style-span" style="font-family: Helvetica, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif; font-size: 12px; font-style: italic; ">We want you to read.&nbsp;&nbsp;We're not going to tell you what happens. We're having a conversation about the book's greater implications and why they might matter to you, too.</span>]]>
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Times New Roman'"><i></i></p><i><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><i>We want you to read.&nbsp; We're not going to tell you what happens. We're having a conversation about the book's greater implications and why they might matter to you, too.</i></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><i><br /></i></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><i><b>By Rachel Herman-Gross and Peter Milne Greiner</b></i></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Still Moving:</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">A reading of <a class="zem_slink" href="http://www.pattismith.net/" title="Patti Smith" rel="homepage">Patti Smith</a>'s <i>Just Kids</i></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><font class="Apple-style-span" face="'Times New Roman', helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif" size="1"><span class="Apple-style-span" style="font-size: 8px;"><font class="Apple-style-span" face="Helvetica, helvetica, hirakakupro-w3, osaka, 'ms pgothic', sans-serif" size="3"><span class="Apple-style-span" style="font-size: 12px;"><i><br /></i></span></font></span></font></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><b><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 1.25em; ">T</font></font></font></b>he notion of the isolated artist creating in the vacuum of individual fantasy is one that seems to reduce the relationship between art and humanity to a cliché. The profound and miraculous nature of punk rock icon Patti Smith's relationship with Robert Mapplethorpe, the renowned artist and photographer, awes and captivates us. It is more than friendship, than sex, than romance, than love. It is about finding one's soul mate and experiencing that relationship in a way that derails our understanding of the concept. To say that it was mutual love or support or faith that brought their respective works to fruition dramatically understates the phenomenon of their symbiosis as Smith evokes it in her latest book, <i>Just Kids</i>, a memoir about her relationship with Mapplethorpe in New York City during the 1960s and 1970s, before either emerged as an accomplished artist.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">&nbsp;The influence of the other played a major role in the direction each of them eventually took in their art: Mapplethorpe repeatedly urged Smith to put her words to music and perform; she told him ad nauseam to "take [his] own pictures." The process of informing each other came to define them, as artists and individuals. Mutuality engendered their uniqueness.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">It is easy to speak critically about fiction and poetry because we have been handed down the tools to do so. But the tools seem unwieldy in discussions about memoir, and especially unwieldy in the case of <i>Just Kids</i>. One of the first questions we asked ourselves<span style="color: #ff1e18"> </span>about <i>Just Kids</i> was whether the term memoir did it justice, because it is so much more. We thought about how memory and its touchstones relate to creating structure in a narrative, and about Smith's intentions when this seemed to emerge in the text, but these were dead-end questions when pitted against the story's grander scope.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Smith's voice combines naiveté<b> </b>with the City itself, rapture with Mapplethorpe, and the awe that attends her attempt to harness the mind in its youth. Her memories do not smack of nostalgia, but of immediacy--no small task three and four decades after the fact.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">The reality of memoir is its conceit. We must accept or challenge the "truths" it presents and we are of course not talking about factual, historical truth because we know how tired (but sadly not outmoded) that argument is. <i>Just Kids</i> subverts our expectation of that conceit with the singular nature of Smith's account and our eager willingness to accept it.<span style="color: #ff45f6">&nbsp;</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><b></b><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">In our initial thoughts about how to read this book we were hard pressed to find things we did not like, save for a few minor and negligible formal issues. We questioned Smith's periodic sentimentality, and the temptation to examine her text as a shrine to her soul mate, but we immediately dismissed such criticisms in favor of knowing and celebrating these lives and how they were created and lived, their whimsy and ineffability. We realized that as fascinating as it is for us to participate in the mythology Smith has created here, with its remarkable cast and extraordinary backdrop, it is not those elements and our tendency to be star-struck by them that ultimately affect us. Rather, it is what the book <i>means</i>.&nbsp;</p><p></p><div></div></i><p></p>

<div class="zemanta-pixie" style="margin-top:10px;height:15px"><i>Email The Uncommon Response at associate.editor@ybny.com.</i></div><div class="zemanta-pixie" style="margin-top:10px;height:15px"><a class="zemanta-pixie-a" href="http://reblog.zemanta.com/zemified/2a118c73-fdec-4a4a-91e4-173f989bfe6f/" title="Reblog this post [with Zemanta]"><img class="zemanta-pixie-img" src="http://img.zemanta.com/reblog_e.png?x-id=2a118c73-fdec-4a4a-91e4-173f989bfe6f" alt="Reblog this post [with Zemanta]" style="border:none;float:right" /></a><span class="zem-script more-related pretty-attribution"><script type="text/javascript" src="http://static.zemanta.com/readside/loader.js" defer="defer"></script></span></div>]]>
    </content>
</entry>

<entry>
    <title>You&apos;re Beautiful, Bryant Park. - photo</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/photo/2010/02/ybnys-first-fashion-week-was-bryant-parks-last.html" />
    <id>tag:www.ybny.com,2010:/ybny/gallery//12.19</id>

    <published>2010-02-20T02:21:57Z</published>
    <updated>2010-02-25T02:53:07Z</updated>

    <summary>Click through photographer Jemma Evans&apos; photos from YBNY&apos;s visits to Organic By John Patrick, Ruffian and Charlotte Ronson&apos;s shows - the first of two galleries this week commemorating Bryant Park&apos;s last gasp with New York Fashion Week. The biannual event...</summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="fashion" label="fashion" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="photo" label="photo" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en-us" xml:base="http://www.ybny.com/ybny/photo/">
        <![CDATA[<p>Click through photographer Jemma Evans' photos from YBNY's visits to Organic By John Patrick, Ruffian and Charlotte Ronson's shows - the first of two galleries this week commemorating Bryant Park's last gasp with New York Fashion Week. The biannual event moves to Lincoln Center this fall.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Elliot Madison: The Tweeting Anarchist of Jackson Heights - features</title>
    <link rel="alternate" type="text/html" href="http://www.ybny.com/ybny/features/2010/02/twitters-first-arrestee-elliot-madison.html#000018" />
    <id>tag:www.ybny.com,2010:/ybny/features//3.18</id>

    <published>2010-02-20T01:30:35Z</published>
    <updated>2010-02-22T07:37:08Z</updated>

    <summary><![CDATA[Writer Dustin Wilson profiles Queens based Elliot Madison, an anarchist, social worker, and one of the first people in the U.S. to be arrested for using Twitter.&nbsp;...]]></summary>
    <author>
        <name>You&apos;re Beautiful New York.</name>
        
    </author>
    
    <category term="elliotmadison" label="Elliot Madison" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="features" label="features" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="twitter" label="Twitter" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.ybny.com/ybny/features/">
        <![CDATA[<div><span class="Apple-style-span" style="font-weight: bold;"><div><i><span class="Apple-style-span" style="font-weight: normal;">Writer Dustin Wilson profiles Queens based Elliot Madison, an anarchist, social worker, and one of the first people in the U.S. to be arrested for using <a href="http://twitter.com/">Twitter</a>.&nbsp;</span></i></div></span></div><fieldset class="zemanta-related"><legend class="zemanta-related-title"><br /></legend></fieldset>

<div class="zemanta-pixie" style="margin-top:10px;height:15px"><a class="zemanta-pixie-a" href="http://reblog.zemanta.com/zemified/c999ec0a-d803-407d-a197-d841eb4a00cf/" title="Reblog this post [with Zemanta]"><img class="zemanta-pixie-img" src="http://img.zemanta.com/reblog_e.png?x-id=c999ec0a-d803-407d-a197-d841eb4a00cf" alt="Reblog this post [with Zemanta]" style="border:none;float:right" /></a><span class="zem-script more-related pretty-attribution"><script type="text/javascript" src="http://static.zemanta.com/readside/loader.js" defer="defer"></script></span></div>]]>
        <![CDATA[<b><div><span class="Apple-style-span" style="font-weight: normal; font-style: italic; ">Writer Dustin Wilson profiles Queens based Elliot Madison, an anarchist, social worker, and one the first people in the U.S. to be arrested for using&nbsp;<a href="http://twitter.com/" style="text-decoration: underline; ">Twitter</a>.&nbsp;</span></div><div><br /></div><div>By Dustin Wilson</div></b><div><b><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="font: 24.0px Helvetica"><b>E</b></span>lliot Madison leans back in the easy chair in the corner of his living room as Louis Armstrong&nbsp;plays from his tiny laptop speakers. The view from his window&nbsp;at night is that of a quiet residential neighborhood.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">"It's the one computer we have, as of right now," he says, nodding at the PC sitting on the footrest of the chair, tapping&nbsp;the ashes from his&nbsp;coal-black&nbsp;wooden pipe into his hand. When you enter his home, you notice a large chunk of wood missing from the&nbsp;front door and a bent dead bolt, so it's easy to push open from the outside. There's no chain to pull across, no secondary lock, nothing.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">"We haven't replaced the locks because we want to show what has happened to our home."</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">At dawn on&nbsp;Oct. 1, 2009, the Joint Terrorism Task Force kicked in the front door to&nbsp;Madison's home in&nbsp;Jackson&nbsp;Heights,&nbsp;Queens, an anarchist collective known as Tortuga House.&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">For the next 16 hours&nbsp;federal, state and local law enforcement agents from the task force&nbsp;hauled boxes of personal items belonging to&nbsp;the occupants, including letters that Madison had written to his wife, Elena, recording equipment, books, computers, and boxes of ammunition. They also confiscated records relating to Madison's work as a social worker, according to the <a href="http://www.citmedialaw.org/threats/united-states-v-madison">Citizen Media Law Project</a>.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">The raid came a week after&nbsp;Madison&nbsp;and his housemate, Michael Wallschlaeger, among others, were arrested by Pennsylvania State Police on Sept. 20 in Pittsburgh near the G-20 economic summit&nbsp;for using Twitter to relay information&nbsp;about police movements&nbsp;to protesters.</p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Madison&nbsp;made news as one of the first among many arrested during the G-20 protest in&nbsp;Pittsburgh&nbsp;last fall. He and others had set up the communications office&nbsp;for a group called The Tin Can Communications Collective&nbsp;in an area motel.</p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">He was held in Pittsburgh for the remaining three days of the protest on $30,000 bail. The charges were, in effect, that the two men had used Twitter and cell phones to alert protesters of police movements they gleaned from police and emergency scanners.&nbsp;</p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">What set Madison and the collective apart from other protesters&nbsp;was that they could be&nbsp;the first people in the U.S.&nbsp;to be arrested&nbsp;for broadcasting&nbsp;over Twitter.&nbsp;Although the charges in Pennsylvania were dropped by the Allegheny County district attorney&nbsp;last fall, the federal government&nbsp;has&nbsp;taken a particular interest in him</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">The <a href="http://uscode.house.gov/download/pls/18C102.txt">search warrant used in the New York raid</a>&nbsp;stipulates that evidence was gathered toward a potential violation of federal riot law. Though he has yet to be charged in New York, Madison could face up to five years in prison if convicted of violating the <a href="http://uscode.house.gov/download/pls/18C102.txt">riot law</a>.</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><font class="Apple-style-span" color="#383530" face="Georgia, 'Times New Roman', Times, serif"><span class="Apple-style-span" style="border-collapse: collapse;"><br /></span></font></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px">According to the&nbsp;<a href="http://friendsoftortuga.wordpress.com/" style="text-decoration: underline; ">Tortuga House blog</a>, a Pennsylvania judge ruled on Jan. 15 to keep the affidavit that "authorized the Sept. 24 raid on the motel... and the arrest of our two housemates during the G-20" summit sealed for another 30 days. The blog also mentions a similar instance in New York, with the "interminable" filing of legal motions by the defense to unseal documents matched by counter motions from the prosecution. &nbsp;The blog states that the seal in New York was set to expire yesterday.</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Tortuga House is nestled in an identical row of houses in&nbsp;Jackson&nbsp;Heights, a neighborhood with a mixture of Spanish and Asian&nbsp;immigrants. There are signs written in Vietnamese and Chinese next to the neon glow of&nbsp; White Castle's and KFC's 24-hour&nbsp;signs,&nbsp;a row of laundromats and a Mobil gas station.</p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">"Before we were raided, we had a large (anarchist) flag&nbsp;hanging out front," He waves his hand toward&nbsp;the front of his home. "Our intention wasn't to hide anything, we were very open with the community. We still are very open about our beliefs. If we were hiding anything we wouldn't have it displayed out in the open for all to see," he adds, "but of course that was taken for evidence."</p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">The evidence list, which is public record on several websites,&nbsp;is considerably long, given that the FBI and the Joint Terrorism&nbsp;Task Force collected nearly 100 pieces of evidence from&nbsp;Madison and his housemates. Such is operating procedure in cases involving an alleged violation of federal law. But in this case, the alleged crime was perpetrated via <i>Twitter</i>. &nbsp;</p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Among the evidence were pictures of Karl Marx, gas masks, arm and knee pads, books written by Madison and a glass container with an unknown gray liquid along with several corked vials. And although&nbsp;Madison's lawyer, Martin Stolar, filed a motion in federal court&nbsp;to have their property returned the day after the raid, nothing has been returned. Stolar contended that the Tortuga House search was a violation of Madison's first amendment rights, but an <a href="http://www.citmedialaw.org/sites/citmedialaw.org/files/2009-10-06-Amended%20Order%20to%20Show%20Cause.pdf">Eastern District New York Judge disagreed.</a></p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">On top of all this,&nbsp;Madison's a cool character. He has a penchant for dressing head to toe in black and keeps his long brown hair in a ponytail. He keeps his goatee neatly trimmed a la Guy Fawkes.&nbsp;He has a habit of walking and talking fast, smoking Marlboros&nbsp;and chain-drinking&nbsp;Coca-Cola. He's a vegetarian but laughs when asked if it's because of health issues (see Marlboros).</p>
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<p style="margin: 0.0px 0.0px 8.0px 0.0px; font: 12.0px Helvetica">He still speaks with a heavy upper Midwestern lilt&nbsp;and laughs nervously after he answers each question. He's a social worker with Fountain House, a self-help organization in Midtown Manhattan. He's also an author, penning several books with the Curious George Brigade, a publishing house that serves the anarchist&nbsp;community.&nbsp;</p><p style="margin: 0.0px 0.0px 8.0px 0.0px; font: 12.0px Helvetica"></p><p style="margin: 0.0px 0.0px 8.0px 0.0px; font: 12.0px Helvetica"><b><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 1.25em; "><font class="Apple-style-span" style="font-size: 1.25em; ">M</font></font></font></b>adison is an anarchist. More important, he considers himself a collectivist, that is to say, he supports the advancement of a group rather than individualistic goals. He was raised in Wausau,&nbsp;a small working class town in central Wisconsin. And though his parents were "working class Americans," both were progressive liberal democrats who&nbsp;often invited political discussion.</p>
<p style="margin: 0.0px 0.0px 8.0px 0.0px; font: 12.0px Helvetica">"Oh yeah, they were both very progressive," he says, "so when they learned that I was leaning more toward&nbsp;anarchy as I got older, they were supportive."</p>
<p style="margin: 0.0px 0.0px 8.0px 0.0px; font: 12.0px Helvetica">He has been active in the anarchist community for nearly 24 years, starting in his late teens hosting anarchist book fairs in his home and meeting other anarchists from around the U.S. to share&nbsp;ideas. Now he travels the world, participating in demonstrations in places like&nbsp;Iceland and Eastern Europe. He did, anyway, before the feds took his passport.</p>
<p style="margin: 0.0px 0.0px 8.0px 0.0px; font: 12.0px Helvetica">"In Wisconsin, during the 1980's we were busy with anti-nuclear submarine installations that were particular to our part of the country. Mind you that this was all before the huge protests at Seattle, before the anti-globalization demonstrations." In November of 1999 the protests at a World Trade Organization (WTO) conference grew so large that the protesters forced the meeting to end early. Six-hundred protesters were arrested with hundreds of others injured.</p><p style="margin: 0.0px 0.0px 8.0px 0.0px; font: 12.0px Helvetica"><i>YBNY Editor Joel Silverstein contributed reporting to this story.</i></p><p></p></b></div><div class="zemanta-pixie" style="margin-top: 10px; height: 15px;"><span class="zem-script more-related pretty-attribution"><script type="text/javascript" src="http://static.zemanta.com/readside/loader.js" defer="defer"></script></span></div>]]>
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    <published>2010-02-16T00:03:07Z</published>
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    <published>2010-02-15T23:43:47Z</published>
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    <summary>For inquiries on rates, and other information regarding advertising on YBNY, contact sales@ybny.com.Investment opportunities in YBNY, LLC are also available. Contact above....</summary>
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